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{"id":794,"date":"2016-12-21T21:57:04","date_gmt":"2016-12-21T19:57:04","guid":{"rendered":"http:\/\/blog-2017.fleg.de\/?p=794"},"modified":"2017-01-22T03:47:12","modified_gmt":"2017-01-22T01:47:12","slug":"die-besten-platten-2016","status":"publish","type":"post","link":"https:\/\/blog.fleg.de\/die-besten-platten-2016\/","title":{"rendered":"Die Platten des Jahres 2016"},"content":{"rendered":"

H\u00f6rt, h\u00f6rt: Die besten Platten 2016<\/p>\n

Vorherige Editionen: 2015<\/a>, 2014<\/a>, 2013<\/a>.<\/p>\n

$\"\"$ <\/p>\n

15.<\/h2>\n
Kanye West \u2013 The Life of Pablo<\/h3>\n
Eine eher durchschnittliche Kanye West-Ver\u00f6ffentlichung ist immer noch knapp gut f\u00fcr meine Top 15. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
$\"\"$ <\/p>\n
14.<\/h2>\n
Beyonc\u00e9 \u2013 Lemonade \/ Solange \u2013 A seat at the table<\/h3>\n
Im besten Sinne Charts-kompatibler schwarzer R&B-Feminismus von den Knowles-Schwestern.<\/p>\n
\n
$\"\"$ <\/p>\n
13.<\/h2>\n
Von wegen Lisbeth \u2014 Grande<\/h3>\n
Locker aus der H\u00fcfte, so gutgelaunter deutscher Indie ist selten.
\n Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
12.<\/h2>\n
Nicolas Jaar \u2014 Sirens<\/h3>\n
Entzieht sich Klassifikation auf beste Weise. Kopfh\u00f6rer-Album.<\/p>\n
\n
$\"\"$ <\/p>\n
11.<\/h2>\n
Weaves \u2014 Weaves<\/h3>\n
Sch\u00f6nschr\u00e4ger, tanzbarer Alternative-Rock mit Attit\u00fcde.<\/p>\n
\n
$\"\"$ <\/p>\n
10.<\/h2>\n
Kweku Collins \u2013 Nat Love<\/h3>\n
Lo-Fi-R&B-Perlen.<\/p>\n
\n
$\"\"$ <\/p>\n
9.<\/h2>\n
Maeckes \u2014 Tilt<\/h3>\n
„Wir wohnen bei Monstern im Schrank“ \u2013 schlauer, melodischer deutscher Hip Hop.<\/p>\n
\n
$\"\"$ <\/p>\n
8.<\/h2>\n
Radiohead \u2014 A Moon Shaped Pool<\/h3>\n
R\u00fcckkehr zu alter Form. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
7.<\/h2>\n
Kendrick Lamar \u2014 untitled unmastered.<\/h3>\n
Ein K\u00fcnstler auf dem H\u00f6hepunkt seines Schaffens \u2013 auch die B-Seiten von Lamars Genre-sprengendem Hip Hop sind fantastisch.<\/p>\n
\n
$\"\"$ <\/p>\n
6.<\/h2>\n
Bon Iver \u2014 22, A Million<\/h3>\n
Sperrig-sch\u00f6ner Future-Folk. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
5.<\/h2>\n
Chance the Rapper \u2014 Coloring Book<\/h3>\n
Sonniger Soul\/Hip Hop-Hybrid vom Super-Symphaten. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
4.<\/h2>\n
Car Seat Headrest \u2014 Teens Of Denial<\/h3>\n
Teenage Angst, rockt vorz\u00fcglich.<\/p>\n
\n
$\"\"$ <\/p>\n
3.<\/h2>\n
David Bowie \u2014 Blackstar<\/h3>\n
Ein w\u00fcrdiger Abschied, mastergeplant. Bis zum Schluss die volle Kontrolle und Kunst. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
2.<\/h2>\n
Kate Tempest \u2013 Let them Eat Chaos<\/h3>\n
Der sprachgewaltige Soundtrack zum Zerfall. Rezension<\/a><\/p>\n
\n
$\"\"$ <\/p>\n
1.<\/h2>\n
Pfarmers \u2014 Our Puram<\/h3>\n
Flirrt, fliesst, treibt zwischen Krautrock und Strand. Rezension<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"
H\u00f6rt, h\u00f6rt: Die besten Platten 2016 Vorherige Editionen: 2015, 2014, 2013.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,2],"tags":[],"jetpack_featured_media_url":"","wps_subtitle":"","_links":{"self":[{"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/posts\/794"}],"collection":[{"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/comments?post=794"}],"version-history":[{"count":0,"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/posts\/794\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/media?parent=794"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/categories?post=794"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.fleg.de\/wp-json\/wp\/v2\/tags?post=794"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

14.<\/h2>\n

Beyonc\u00e9 \u2013 Lemonade \/ Solange \u2013 A seat at the table<\/h3>\nIm besten Sinne Charts-kompatibler schwarzer R&B-Feminismus von den Knowles-Schwestern.<\/p>\n\n<\/p>\n

13.<\/h2>\n

12.<\/h2>\n

Nicolas Jaar \u2014 Sirens<\/h3>\nEntzieht sich Klassifikation auf beste Weise. Kopfh\u00f6rer-Album.<\/p>\n\n<\/p>\n

11.<\/h2>\n

Weaves \u2014 Weaves<\/h3>\nSch\u00f6nschr\u00e4ger, tanzbarer Alternative-Rock mit Attit\u00fcde.<\/p>\n\n<\/p>\n

10.<\/h2>\n

Kweku Collins \u2013 Nat Love<\/h3>\nLo-Fi-R&B-Perlen.<\/p>\n\n<\/p>\n

9.<\/h2>\n

Maeckes \u2014 Tilt<\/h3>\n„Wir wohnen bei Monstern im Schrank“ \u2013 schlauer, melodischer deutscher Hip Hop.<\/p>\n\n<\/p>\n

8.<\/h2>\n

7.<\/h2>\n

Kendrick Lamar \u2014 untitled unmastered.<\/h3>\nEin K\u00fcnstler auf dem H\u00f6hepunkt seines Schaffens \u2013 auch die B-Seiten von Lamars Genre-sprengendem Hip Hop sind fantastisch.<\/p>\n\n<\/p>\n

6.<\/h2>\n

5.<\/h2>\n

4.<\/h2>\n

Car Seat Headrest \u2014 Teens Of Denial<\/h3>\nTeenage Angst, rockt vorz\u00fcglich.<\/p>\n\n<\/p>\n

3.<\/h2>\n

2.<\/h2>\n

1.<\/h2>\n

Beyonc\u00e9 \u2013 Lemonade \/ Solange \u2013 A seat at the table<\/h3>\n
Im besten Sinne Charts-kompatibler schwarzer R&B-Feminismus von den Knowles-Schwestern.<\/p>\n
\n
$\"\"$ <\/p>\n

Nicolas Jaar \u2014 Sirens<\/h3>\n
Entzieht sich Klassifikation auf beste Weise. Kopfh\u00f6rer-Album.<\/p>\n
\n
$\"\"$ <\/p>\n

Weaves \u2014 Weaves<\/h3>\n
Sch\u00f6nschr\u00e4ger, tanzbarer Alternative-Rock mit Attit\u00fcde.<\/p>\n
\n
$\"\"$ <\/p>\n

Kweku Collins \u2013 Nat Love<\/h3>\n
Lo-Fi-R&B-Perlen.<\/p>\n
\n
$\"\"$ <\/p>\n

Maeckes \u2014 Tilt<\/h3>\n
„Wir wohnen bei Monstern im Schrank“ \u2013 schlauer, melodischer deutscher Hip Hop.<\/p>\n
\n
$\"\"$ <\/p>\n

Kendrick Lamar \u2014 untitled unmastered.<\/h3>\n
Ein K\u00fcnstler auf dem H\u00f6hepunkt seines Schaffens \u2013 auch die B-Seiten von Lamars Genre-sprengendem Hip Hop sind fantastisch.<\/p>\n
\n
$\"\"$ <\/p>\n

Car Seat Headrest \u2014 Teens Of Denial<\/h3>\n
Teenage Angst, rockt vorz\u00fcglich.<\/p>\n
\n
$\"\"$ <\/p>\n